![](https://freight.cargo.site/t/original/i/46056ac95cad4c81dd6c9e7028f8ebfa670d677bc37ccdcd74b46693517cf91e/sound_detail9.jpg)
![](https://freight.cargo.site/t/original/i/201974d77c0e68598670e0e9440c6cfdd5fd2fbd92521ce179229fc58397fc99/time_detail5.jpg)
![](https://freight.cargo.site/t/original/i/b74c361a219d7601b9c7f185beb12b63745cfd79fc48dd26d892a787233370ed/videotape_detail7.jpg)
Typolyrics
Mentor: Jennifer Cole Phillips
Mentor: Jennifer Cole Phillips
A series of album covers explores typography as a medium for visualizing sound and the abstract sensibilities of musical compositions.
Cover 1: The Sound by the 1975
Custom lettering mimics a looped musical phrase as it swells and builds at the beginning of the song.
Cover 2: If We Were Vampires by Jason Isbell
This lyrical and understated folk song talks about the brevity of time and how it pushes us to make the most of the present.
Cover 3: Videotape by Radiohead
Radiohead’s piano ballad is haunting and transcendent with cyclical phrasing, rhythmic percussion, and experimental background sounds.
Custom lettering mimics a looped musical phrase as it swells and builds at the beginning of the song.
Cover 2: If We Were Vampires by Jason Isbell
This lyrical and understated folk song talks about the brevity of time and how it pushes us to make the most of the present.
Cover 3: Videotape by Radiohead
Radiohead’s piano ballad is haunting and transcendent with cyclical phrasing, rhythmic percussion, and experimental background sounds.